This is my GoodReads write-up of the latest, and last, LoEG chapter.
While I’ve enjoyed the post-Black Dossier LoEG work more than others I speak to, I still find myself disappointed by its conclusion. I respect Moore and O’Neil’s changing of the tone from adventure to meditation on fiction and have been happy to flow with the change as it happened. I’ve always enjoyed walking through the world, fictional and real, from Moore’s perspective.
This latest book, however, reveals his Achilles heel: satirizing modern culture despite his shallow experience in it. I understand his points about franchises and corporate entities spoiling imagination but I don’t know if current popular fiction is really worse than the era his main characters come from. This is especially true of the Harry Potter series, which he puts in the cross hairs in 2009. His criticisms of the boy wizard and his world ring hollow. It makes me wonder if he knows anything about the series beyond the first two books, as the themes and characterizations Rowling presented are far richer than he acknowledges.
It’s likely he hasn’t dug deep into Harry Potter or much else and that becomes a problem when you’re looking to skewer it all.
That said, the book is still full of surprises along with some great character bits. I personally love the James Bond concepts he throws around. Also, I can forgive a deus ex machina when the person delivering it is that unexpected. As always, O’Neil’s artwork is great and I’ll have fun poking through the details over the next couple of days.
Alan Moore and Frank Miller were the great comic creators of my youth. While they’re both no longer creating their best work, I’ll take Moore in a reduced form any day over Miller’s descent into (unintentional) self-parody.